Category Archives: News

1er salon du violon, de l’alto, du violoncelle et de la contrebasse

29. + 30. Nov. 2014, 10:00 a.m., La Bellevilloise, Paris (France), 6€ la journée / 10€ le week end

Un salon du violon pour y rencontrer son instrument.
Un instrument fait pour chaque personnalité, chaque style de jeu, un violon, un alto, un violoncelle, une contrebasse à sa main, à son oreille, au son unique, au son particulier. Une relation entre soi et son luthier est la clé de tous ces paramètres qui restent pour beaucoup encore chargés de mystères.

Pour ce 1er salon du violon au 21e Siècle à Paris, la rencontre avec les luthiers et archetiers français permettra d’admirer et de découvrir un savoir faire particuliers unique, transmis de génération en génération mais en perpétuelle évolution. La lutherie française rayonne aujourd’hui dans le monde entier par son savoir faire et ses innovations. Les formes, les techniques, les vernis, la qualité des bois sont toujours au centre de la création magique de cet instrument de musique.
Son archet «baguette» indispensable est d’une importance capitale, L’archeterie française est elle aussi en pleine évolution et sera à cet important rendez vous pour les musiciens.

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very sad news

The Violin channel, a news website and newsletter mainly about string instrument and classical music, also features news about musicians who recently passed away. To me, it’s remarkable that they use categories here.

  • (simple case of death)
  • sad news
  • very sad news

sad-news

Bassist of the Day: Scott LaFaro

Today would be the 78th birthday of the great Scott LaFaro, who died in a car accident in 1961. LaFaro is best known as the bassist in Bill Evans’ groundbreaking trio, and also worked with Chet Baker, Ornette Coleman, Sonny Rollins and the Stan Kenton Orchestra.
Barrie Kolstein, luthier and president of Kolstein Music in Baldwin, New York, has chosen Scott’s birthday to announce that he is making a gift of LaFaro’s double bass to the International Society of Bassists.

The Kolstein and LaFaro families have had a long and affectionate relationship of almost 60 years. Barrie’s father Sam Kolstein first met Scott LaFaro when they were introduced by George Duvivier, a first-call bassist in New York City who recommended that Sam work on a bass Scott had recently acquired and brought Scott to meet Sam at Sam’s shop. Upon hearing Scott trying out instruments in the shop, “Sam looked at George and simply said ‘Who it that and what is that?'” Barrie recalls. “You have to understand that even by today’s standards, Scotty’s playing would turn heads, but back in those years, his style of playing was unheard of and completely unique in every aspect.”

After Scott’s death in a car crash, a heartbroken Sam purchased the badly damaged bass from Scott’s mother with a promise that it would be restored and played again. But it was his son Barrie who eventually undertook the arduous restoration decades later, and Scott’s bass returned to the world in 1988 at the ISB’s convention in Los Angeles. Since then Barrie has been the steward of the Scott LaFaro Bass, becoming friends with Scott’s sister and biographer Helene LaFaro-Fernandez in the process, and making the bass available for recordings (notably by Marc Johnson and Phil Palombi) and live performances.

The International Society of Bassists gives the Scott LaFaro Prize to the first place winner in its biennial jazz competition thanks to support from Scott’s four sisters and the endowment fund they created for the ISB in memory of their brother. Now, with the gift of the Scott LaFaro Bass, the ISB will make the instrument available for performances by ISB members as part of a future Scott LaFaro Archives at Ithaca College in Ithaca, New York, where Scott’s father, a violin virtuoso and band leader, attended in the early days of the conservatory and where Scott went to classes for a year before leaving school for a career that continues to grow in legend and influence. Until the archives are ready to receive the instrument, the Scott LaFaro Bass will continue to reside at Kolstein Music.

“Thanks to Barrie Kolstein’s extraordinary and extremely generous gift to the ISB, which raises our net worth by six figures, the residency of Scott’s bass at Ithaca College will be a lasting tribute,” says ISB general manager Madeleine Crouch. Nicholas Walker, professor of bass at Ithaca College, adds, “For bassists everywhere, Scott LaFaro’s sound and musicianship have been a deep source of inspiration. Both the LaFaro and Kolstein families are committed to keeping us all connected to the man behind that sound, a man they loved dearly. The creation of a living archive at Ithaca College will make it possible for future generations of bassists to come into direct contact with his instrument and the materials that helped shape Scott LaFaro as an artist. What a gift to us all!”

With some 3,000 members in over 40 countries, the International Society of Bassists is dedicated to the double bass. www.ISBworldoffice.com

Soundpost measurement tool with magnets

If you need a new Soundpost for a double bass, you usually take the already existing Soundpost for reference, and make the new one slightly longer or shorter, whatever you need in particular. While the proper length is not that difficult to measure inside the bass, the correct angle of the Soundpost’s bottom and top flat sides are always hard to guess, and a matter of time consuming trial and error. Of course, you can get the angle from the outside of the top and the back, but it’s difficult to find the exact position and the plates themselves aren’t always parallel, so the outsides only give you a rough idea of the angles.

I had some time during the Christmas holidays, so I’ve built my own measuring tool which will hopefully save me some time in future.  The shaft is a aluminum tube of 10 mm diameter. On one end, I glued on a steel ball with epoxy. On the other side, I inserted a brass thread and a screw (M8) for length adjustment, again with a steel ball glued on.
Then, I put magnet rings on both steel balls. The power of magnetism holds them firmly on the balls, but will allow the to follow the curvature and angle of back and top smoothly – that’s the key idea of this device. With some sandpaper, I’ve dulled the balls’ surface, in order to prevent the magnets from moving too easily.  I now set the device to the guessed length of the upcoming soundpost, set it into position inside the bass and re-adjust the length if needed. The magnets are much slippier than soundpost wood is, so I glued on fine sandpaper. Once the device has the proper length at the correct position,  I remove the device carefully (so that the magnets stay in their position). For inserting and extracting the device, I use a fixed bent wire instead of the S-shaped soundpost setter tool – but this still needs some improvement. Besides this, it’s pretty cool. Transfering the angles to the soundpost is still a little tricky, but much better than guesswork.

soundpost-magnet soundpost-magnet2

International Double bass Masterclasses “Giovanni Bottesini”

The International bouble bass masterclasses “Giovanni Bottesini” will take place between January, 8. and May, 24. 2014 at the Music Conservatory of Lugano (Conservatorio della Svizzera Italiana).
Thanks to our guests Professors: Klaus Stoll, Timothy Cobb, Hans Roelofsen, Gabriele Ragghianti, Michael Klinghoffer, Diego Zecharies. The Lessons are reserved for the students of the Conservatory, auditors are welcome and participation is completely free.

www.bassmasterclass.wix.com/giovannibottesini
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off topic: Piano Salon Christophori at Berlin

Not really double bass related, but if you ever come to Germany’s capitol city Berlin, check out what’s up at Piano Salon Christophori, if you (like me) love old instruments.

Founded by Christoph Schreiber, it’s a piano workshop specialized in old concert grand pianos, and a location where unique concerts and recordings take place. Christoph Schreiber (who is also a doctor by profession) and his team are specialists for restoring these old treasures, and take care of the original design of the pianos. The workshop is located in an old factory hall at Berlin-Wedding, and crowded with tools and old pianos waiting for rastauration … and the audience sits within, which is really a unique atmosphere. Their concerts range from classical to Jazz, and despite the fact that the musicians are top-notch, the entrance is free (you tip what you want).

 

 

 

 

Scordatura Pedals for the Double Bass: a project at Kickstarter

Double Bassist Carter Callison likes to work with different tunings on the double bass. He has developed a Double Bass Retuning Pedal, which allows him to change the tuning of his bass while he plays:

Double Bass Retuning Pedals (a.k.a. “Scordatura Pedals”) have gone from being a simple DIY project in my garage to becoming a key element in my PhD research. After my original handmade prototype showed potential, I began the tedious process of developing CAD drawings with a design company in South Carolina in order to transform my basic idea into a nuanced product that can handle vigorous professional use. Now that the CAD drawings are done, I am at a critical stage where a lack of funds has put a hold on what I believe is an important project for the development of the double bass. The funds that I am requesting will allow for the manufacture of a professional quality prototype which will allow me to continue my research at the Royal Academy of Music.