The NewYork Bass Viola Choir was an interesting band led in the late 1960ies by bassist and composer Bill Lee, who by the way is the father of film maker Spike Lee.
Here’s a TV show footage of this band: “Like It Is” (1972) from “One Mile East” folk opera; featuring N.Y. Bass Violin Choir. Bill Lee, director, composer; Ron Carter, Richard Davis, Milt Hinton, Percy Heath, Michael Fleming, Lisle Atkinson – bass; Consuela Lee Moorehead, piano; A. Grace Lee Mims, vocalist, Al Harewood, drums
More sports in 2016? Here you go: get a skateboard from manufacturer Western Union featuring Jazz heroes like Miles Davis, Bill Evans, John Coltrane, Charlie Parker …
Western Union also offers boards for double bassists, featuring pictures of Richard Davis, Charles Mingus and Paul Chambers.
Today would be the 78th birthday of the great Scott LaFaro, who died in a car accident in 1961. LaFaro is best known as the bassist in Bill Evans’ groundbreaking trio, and also worked with Chet Baker, Ornette Coleman, Sonny Rollins and the Stan Kenton Orchestra.
Barrie Kolstein, luthier and president of Kolstein Music in Baldwin, New York, has chosen Scott’s birthday to announce that he is making a gift of LaFaro’s double bass to the International Society of Bassists.
The Kolstein and LaFaro families have had a long and affectionate relationship of almost 60 years. Barrie’s father Sam Kolstein first met Scott LaFaro when they were introduced by George Duvivier, a first-call bassist in New York City who recommended that Sam work on a bass Scott had recently acquired and brought Scott to meet Sam at Sam’s shop. Upon hearing Scott trying out instruments in the shop, “Sam looked at George and simply said ‘Who it that and what is that?'” Barrie recalls. “You have to understand that even by today’s standards, Scotty’s playing would turn heads, but back in those years, his style of playing was unheard of and completely unique in every aspect.”
After Scott’s death in a car crash, a heartbroken Sam purchased the badly damaged bass from Scott’s mother with a promise that it would be restored and played again. But it was his son Barrie who eventually undertook the arduous restoration decades later, and Scott’s bass returned to the world in 1988 at the ISB’s convention in Los Angeles. Since then Barrie has been the steward of the Scott LaFaro Bass, becoming friends with Scott’s sister and biographer Helene LaFaro-Fernandez in the process, and making the bass available for recordings (notably by Marc Johnson and Phil Palombi) and live performances.
The International Society of Bassists gives the Scott LaFaro Prize to the first place winner in its biennial jazz competition thanks to support from Scott’s four sisters and the endowment fund they created for the ISB in memory of their brother. Now, with the gift of the Scott LaFaro Bass, the ISB will make the instrument available for performances by ISB members as part of a future Scott LaFaro Archives at Ithaca College in Ithaca, New York, where Scott’s father, a violin virtuoso and band leader, attended in the early days of the conservatory and where Scott went to classes for a year before leaving school for a career that continues to grow in legend and influence. Until the archives are ready to receive the instrument, the Scott LaFaro Bass will continue to reside at Kolstein Music.
“Thanks to Barrie Kolstein’s extraordinary and extremely generous gift to the ISB, which raises our net worth by six figures, the residency of Scott’s bass at Ithaca College will be a lasting tribute,” says ISB general manager Madeleine Crouch. Nicholas Walker, professor of bass at Ithaca College, adds, “For bassists everywhere, Scott LaFaro’s sound and musicianship have been a deep source of inspiration. Both the LaFaro and Kolstein families are committed to keeping us all connected to the man behind that sound, a man they loved dearly. The creation of a living archive at Ithaca College will make it possible for future generations of bassists to come into direct contact with his instrument and the materials that helped shape Scott LaFaro as an artist. What a gift to us all!”
With some 3,000 members in over 40 countries, the International Society of Bassists is dedicated to the double bass. www.ISBworldoffice.com
DiscoverDoubleBass.com is a new website by Geoff Chalmers, providing freely available video lessons for double bass in HD quality. Geoff covers topics like standing posture, sitting position and good posture, scales and arpeggios, cycles of 5ths, right hand exercises, accurate shifting, and others.
Based in the UK, Geoff has performed on numerous gigs, shows, cruise ships, tours and recording sessions. He has a degree in jazz bass, as well as a postgraduate diploma in classical music. In addition to being a busy freelance bassist Geoff is also an experienced educator teaching bass at schools, colleges and universities, as well as private students.
Jazzleadsheets.com, a resource for sheet music, has published some new transcriptions of music featuring the double bass: “Our bass corner has been created with the player in mind, to focus on improving technique and expanding repertoire. It’s a tool to learn about great bassists, to listen to them, and to learn how to incorporate their techniques while developing one’s own sound. It’s also a great resource for the accomplished bassist to get pieces that showcase the bass and let them have some fun fine-tuning their chops, and then showing off.”
Today, it’s the birthday of two great Jazz double bassists: Charlie Mingus was born on April, 22 in 1922, and Paul Chamber was born the same day in 1935.
So it seems that July (April minus 9 months) is a good season to think about getting father or mother, if you are a bass player …
Bassist John Clayton has published a couple of instructional videos on Youtube. He covers basic topics like how to tune the bass and how to hold the instrument, but also left hand technique and how to use and play tenths.
[youtube http://www.youtube.com/watch?v=kC9hTcuLuwE]