{"id":322,"date":"2008-04-18T14:56:39","date_gmt":"2008-04-18T12:56:39","guid":{"rendered":"http:\/\/www.doublebassguide.com\/?p=322"},"modified":"2008-04-18T14:59:50","modified_gmt":"2008-04-18T12:59:50","slug":"spring-tailpiece","status":"publish","type":"post","link":"https:\/\/doublebassguide.com\/?p=322","title":{"rendered":"Spring tailpiece"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/www.doublebassguide.com\/wp\/wp-content\/uploads\/2008\/04\/bizarrer_saitenhalter.jpg\" alt=\"federsaitenhalter\" align=\"right\" \/><\/p>\n<p>Within 25 years in business, double bass luthier <a href=\"http:\/\/www.kontrabass.ch\" title=\"Giogio Pianzola\" target=\"_blank\">Giorgio Pianzola<\/a> (Bern\/Switzerland) has come across many &#8230; mmmh,  let&#8217;s call it \u2018strange\u2019 things. He just has sent me this photo of an interesting tailpiece. &#8220;This tailpice doesn&#8217;t make sense to me&#8221;, Giorgio told me. &#8220;This makes has installed hundreds of these tailpiece to local Folk music basists, in order the make the sound &#8216;softer&#8217;. New strings should do a better job for that. This thing is a sound killer, only making unwanted noise und turns the bass into being un-tunable.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Within 25 years in business, double bass luthier Giorgio Pianzola (Bern\/Switzerland) has come across many &#8230; mmmh, let&#8217;s call it \u2018strange\u2019 things. He just has sent me this photo of an interesting tailpiece. &#8220;This tailpice doesn&#8217;t make sense to me&#8221;, Giorgio told me. &#8220;This makes has installed hundreds of these tailpiece to local Folk music [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"_links":{"self":[{"href":"https:\/\/doublebassguide.com\/index.php?rest_route=\/wp\/v2\/posts\/322"}],"collection":[{"href":"https:\/\/doublebassguide.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/doublebassguide.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/doublebassguide.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/doublebassguide.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=322"}],"version-history":[{"count":0,"href":"https:\/\/doublebassguide.com\/index.php?rest_route=\/wp\/v2\/posts\/322\/revisions"}],"wp:attachment":[{"href":"https:\/\/doublebassguide.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=322"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/doublebassguide.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=322"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/doublebassguide.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=322"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}