{"id":225,"date":"2007-11-03T00:24:46","date_gmt":"2007-11-02T22:24:46","guid":{"rendered":"http:\/\/www.doublebassguide.com\/wp\/?p=225"},"modified":"2007-11-03T00:24:46","modified_gmt":"2007-11-02T22:24:46","slug":"sd-systems","status":"publish","type":"post","link":"https:\/\/doublebassguide.com\/?p=225","title":{"rendered":"SD-Systems"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/www.doublebassguide.com\/wp\/wp-content\/uploads\/2007\/11\/sdlcm100.jpg\" align=\"right\" \/><strong>LCM-100<\/strong><br \/>\nType: condenser microphone<br \/>\nMode: active<br \/>\nPreamp: incl.; dual channel available<\/p>\n<p>The microphone is attached at the bridge from the bottom side with a peg. The Preamp delivered with the microphone allows to go directly into a bass amp. With an additional available blender the microphone signal can be mixed with the signal of the SD piezo pickup.<\/p>\n<p><strong>Pickup<\/strong><br \/>\nType: piezoceramic<br \/>\nMode: passiv<br \/>\nPreamp: optional; dual channel available<\/p>\n<p>Similar to the Fishman BP100 pickup.The four piezo elements are attached to the bridge, one element underneath each string, with double sided adhesive tape.<\/p>\n<p><a href=\"http:\/\/www.sdsystems.com\">www.sdsystems.com <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>LCM-100 Type: condenser microphone Mode: active Preamp: incl.; dual channel available The microphone is attached at the bridge from the bottom side with a peg. The Preamp delivered with the microphone allows to go directly into a bass amp. With an additional available blender the microphone signal can be mixed with the signal of the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[],"_links":{"self":[{"href":"https:\/\/doublebassguide.com\/index.php?rest_route=\/wp\/v2\/posts\/225"}],"collection":[{"href":"https:\/\/doublebassguide.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/doublebassguide.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/doublebassguide.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/doublebassguide.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=225"}],"version-history":[{"count":0,"href":"https:\/\/doublebassguide.com\/index.php?rest_route=\/wp\/v2\/posts\/225\/revisions"}],"wp:attachment":[{"href":"https:\/\/doublebassguide.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=225"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/doublebassguide.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=225"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/doublebassguide.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}