{"id":211,"date":"2007-11-03T00:14:20","date_gmt":"2007-11-02T22:14:20","guid":{"rendered":"http:\/\/www.doublebassguide.com\/wp\/?p=211"},"modified":"2007-11-03T00:14:20","modified_gmt":"2007-11-02T22:14:20","slug":"polytone-2","status":"publish","type":"post","link":"https:\/\/doublebassguide.com\/?p=211","title":{"rendered":"Polytone"},"content":{"rendered":"<p><strong>Bass Resonator<\/strong><br \/>\nType: piezoceramic + condenser microphone<br \/>\nMode: active<br \/>\nPreamp: &#8211;<\/p>\n<p>The Polytone system utilizes a piezo bridge transducer in combination with a condenser microphone. The bridge transducer mounts in the treble wing of the bridge under the &#8216;G&#8217; string, much like the &#8216;Underwood&#8217;. It is a square-shaped piece of wood with the piezo inside. The mike is mounted in the center of the treble-side \u0192-hole, and is a square-shaped wooden unit with a red-button attached, called the &#8220;feedback eliminator&#8221;. It disconnects the mike from the sound to reduce the feedback. The unit does not have panning capabilities, so there is no control over the mix of mike and transducer.<\/p>\n<p><a href=\"http:\/\/www.polytoneamps.com\">www.polytoneamps.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bass Resonator Type: piezoceramic + condenser microphone Mode: active Preamp: &#8211; The Polytone system utilizes a piezo bridge transducer in combination with a condenser microphone. The bridge transducer mounts in the treble wing of the bridge under the &#8216;G&#8217; string, much like the &#8216;Underwood&#8217;. It is a square-shaped piece of wood with the piezo inside. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[],"_links":{"self":[{"href":"https:\/\/doublebassguide.com\/index.php?rest_route=\/wp\/v2\/posts\/211"}],"collection":[{"href":"https:\/\/doublebassguide.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/doublebassguide.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/doublebassguide.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/doublebassguide.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=211"}],"version-history":[{"count":0,"href":"https:\/\/doublebassguide.com\/index.php?rest_route=\/wp\/v2\/posts\/211\/revisions"}],"wp:attachment":[{"href":"https:\/\/doublebassguide.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=211"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/doublebassguide.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=211"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/doublebassguide.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=211"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}