All about the Double Bass
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Jazz Musician of the Day
The new IKEA desk lamp “Harte” makes a perfect workshop lamp for soundpost inspection and similar tasks. It’s made of an aluminium tube, with an adjustable the LED lamp head. It’s super-slim, and easy to insert into the ƒ-holes, while the triangle foot stands firmly on the top.
Jazz, dessiné par Cabu (Jean Cabut; 13 January 1938 – 7 January 2015)
As you may know, I not only write about the double bass here at my weblog DoubleBassGuide.com, I also keep me busy with a lot of other double bass related activities. One of these things is string development. Together with my partners from Presto at Gdansk/Poland, I recently developed a new steel string: the Prestoflex.
How do they sound and play? Other than our Jazzicato string, our recent launch, the Prestoflex is a steel string (flexible steel core with smooth chromesteel wrapping) . So it’s probably much less a niche product as the nylonwound Jazzicatos are.
Curious? Nico Catacchio from Italy published a video at Youtube, and some more comments are already published at Talkbass.com.
2015 ISB Double Bass Competition: June 1st-2nd, Colorado State University, Fort Collins, Colorado (website)
Application deadlines are:
Solo division – January 5, 2015
Jazz division – January 16, 2015
Orchestra division – March 17, 2015
Age 15-18 division – January 6, 2015
Age 14 and Under – April 1, 2015
March 22.–29., 2015 at Kloster Michaelstein (Blankenburg/Harz, Germany)
“Kaleidoscope” – that brings to mind the eyes of astonished children when they see colourful stars light up. Coming to Michaelstein for the first time, some participants are astonished in a similar way by the special atmosphere of the “Double-Bass Kaleidoscope”: there’s spontaneous improvisation in the evening over olives, wine and cheese, and many “classical” players turn out to be practised jazz musicians; fingering, bowing and types of rosin are discussed in the meadow, over table tennis and in the monastery garden; everyone practises, rehearses and performs tirelessly; impressive concerts are given. Above all, there is learning in a carefree, relaxed and open way. No pressure to succeed, no showcase, no competition. “The most superb bass festival there is!” some participants say. Is it because people have the opportunity to look beyond the end of their own nose and to have open exchanges about various playing techniques, musical interpretations and first audition experiences? Are the morning warm-up exercises or the evening table-tennis tournaments the reason? Is it due to the fantastic nature surrounding the Michaelstein monastery, or the first-class conditions found here? Or is it simply all of these things that make the event something special? However it may be… come and join us too, get an idea of it and benefit from double-bass soloists from around the world passing on their experiences.
Silvio Dalla Torre (Rostock/GER)
Stanislau Anishchanka (Köln/GER)
Matthias Weber (Stuttgart/GER)
Luo Bing (Shanghai/CHN)
Frank Thönes (Rostock/GER) – Neue Musik
Christian Weber (Zürich/CH) – Jazz
Joshua Cheatham (Utrecht/B) – Alte Musik
Angela Gebler (München/GER) – Physiotherapie
more informations and registration: www.kontrabass-kaleidoskop.de; registration deadline: February 22, 2015.
29. + 30. Nov. 2014, 10:00 a.m., La Bellevilloise, Paris (France), 6€ la journée / 10€ le week end
Un salon du violon pour y rencontrer son instrument.
Un instrument fait pour chaque personnalité, chaque style de jeu, un violon, un alto, un violoncelle, une contrebasse à sa main, à son oreille, au son unique, au son particulier. Une relation entre soi et son luthier est la clé de tous ces paramètres qui restent pour beaucoup encore chargés de mystères.
Pour ce 1er salon du violon au 21e Siècle à Paris, la rencontre avec les luthiers et archetiers français permettra d’admirer et de découvrir un savoir faire particuliers unique, transmis de génération en génération mais en perpétuelle évolution. La lutherie française rayonne aujourd’hui dans le monde entier par son savoir faire et ses innovations. Les formes, les techniques, les vernis, la qualité des bois sont toujours au centre de la création magique de cet instrument de musique.
Son archet «baguette» indispensable est d’une importance capitale, L’archeterie française est elle aussi en pleine évolution et sera à cet important rendez vous pour les musiciens.
Roger Hargrave, a british violin maker who lives and works in Germany, has built his first double bass and wrote a interesting blog about this project on the website ‘Maestronet’. After having finished the bass, he has put his text (24000 words in total) and 371 photos together to an extensive e-book, which explores the design making and varnishing of a double bass, but it also includes several sections relating to violin/viola making and varnishing. The e-book can be downloaded for free at his website: www.roger-hargrave.de